A groundbreaking project with the aim to digitally replicate the lost Phralak-Phralam (Lao version of the Ramayana) murals at Vat Oub Mong in Vientiane has been under way for several years. The project is being carried out by the Digital Conservation Facility, Laos (DCFL); affiliated since 2003 with the Center for Southeast Asian Studies (CSEAS) at Northern Illinois University. DCFL founder Alan Potkin has recently been developing interactive visualization and virtual reality technologies in ecological and cultural conservation for applications in impact assessment, heritage management, museological and site interpretive materials, public participation; and accessible institutional memory for corporations, government agencies, and NGOs.

The historical temple hall at Vat Oub Mong that contained the original murals had been demolished in the year 2000. However, prior to the demolition, photographs were taken of the murals which had been created in 1938. Thanks to this initiative and newly emerging technologies, digital replication of the lost cultural heritage is now possible.
But digital replication is not the only goal of the project – equally important is the replication at Vat Oub Mong (Vientiane) of the demolished Phralak-Phralam murals which was completed in 2011. In addition to this, the original 2,100-page palm leaf manuscript containing the Pralak-Pralam text in Lao tham script has been digitised and is currently being transliterated into modern Lao by the monks at Vat Oub Mong.
Alan Potkin gave talks about this project and its progress at several conferences in the recent years.

An abridged translation of the Phalak-Phralam text together with some photographs of the original murals from the demolished temple can be found on the homepage of the Center for SEA Studies at Northern Illinois University.

Latest news from the project can be found on the Theravada Buddhist Civilizations website.

An English translation of a Phralak-Phralam text found in a manuscript at the Royal Palace in Luang Prabang, together with photographs of the murals at Vat Oub Mong are in Sachchidanand Sahai’s book “Ramayana in Laos. A study in the Gvay Dvorahbi” (published in 1976 by B.R. Publishing corporation, Delhi).

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